jackanthfern:

thefuuuucomics:

what the fuck is this

My aesthetic is what it is

(Source: club-verraco, via jesus-cooter)

(Source: kevrokat, via steveteo)

popfop:

Wild Palms, original comic strip.  Details magazine, 1990.

popfop:

Wild Palms, original comic strip.  Details magazine, 1990.

(via voglaz)

I sometimes worry that serious music can only be served by serious talk, or worse, that people who like serious music can only have serious reasons for doing so. The truth is that you will probably meet just as many shallow people at a National show as you will at a Miley Cyrus show, the difference being that people at the National show are more likely to think they’re important, while people at a Miley Cyrus show are more likely to think they’re having fun.

Mike Powell talks about what we mean when we talk about pop music with his Pitch piece "It’s Not What You Like But How You Like It". (via pitchfork)

nentindo:

gf: come over :)

me, professional wrestling promoter, Vince McMahon: i can’t

gf: i’ll have sex with you

me, professional wrestling promoter, Vince McMahon:

image

i can’t stop lol’ing tho

(via pinksad)

(Source: 595-escape, via sarcasmagic)

iareart:

Francisco José de Goya y Lucientes

Black Period — 1819-1823

Saturn Devouring his Son, 1819-23.

Women Laughing, 1819-23. 

Two Old People Eating, 1821-23. 

Witches’ Sabbath, 1821-23. 

Museo del Prado, Madrid, Spain. 

(via sarcasmagic)

(Source: glassofwhisky, via humanculi)

adventuretime:

…..
I’ve waited six seasons for the narrow world of the “chattering class" to catch up to the Frederator/CN production of Pendleton Ward's Adventure Time. And though our friends at Cartoon Network appreciated the show enough to put it on their network, they never really understood that AT is, frame for frame, one of the truly great shows on television.
Of course I’m biased, and a complete soft touch, but which of the “big” modern dramas accomplishes their depth without having a completely unredeemable hero. Adventure Time is easily the equal of Mad Men, Breaking Bad, Justified, and the others, but Finn, its star, is a kind, generous, happy man/boy. Just like his creator. Emily Nussbaum in today’s New Yorker totally understands what you already know: “It’s beautiful and funny and stupid and smart, in about equal parts, as well as willing to explore uneasy existential questions, like what it means to go on when the story you’re in has ended.” 
Read it, nod your head, and please pass it on to all those people who look at you blankly. 
–Fred
CASTLES IN THE AIR
The gorgeous existential funk of “Adventure Time.”
BY EMILY NUSSBAUM
APRIL 21, 2014
The New Yorker

adventuretime:

…..

I’ve waited six seasons for the narrow world of the “chattering class" to catch up to the Frederator/CN production of Pendleton Ward's Adventure Time. And though our friends at Cartoon Network appreciated the show enough to put it on their network, they never really understood that AT is, frame for frame, one of the truly great shows on television.

Of course I’m biased, and a complete soft touch, but which of the “big” modern dramas accomplishes their depth without having a completely unredeemable hero. Adventure Time is easily the equal of Mad Men, Breaking Bad, Justified, and the others, but Finn, its star, is a kind, generous, happy man/boy. Just like his creator. 

Emily Nussbaum in today’s New Yorker totally understands what you already know: “It’s beautiful and funny and stupid and smart, in about equal parts, as well as willing to explore uneasy existential questions, like what it means to go on when the story you’re in has ended.” 

Read it, nod your head, and please pass it on to all those people who look at you blankly. 

Fred

CASTLES IN THE AIR

The gorgeous existential funk of “Adventure Time.”

BY EMILY NUSSBAUM

APRIL 21, 2014

The New Yorker